Changeless relies less heavily on standard romance tropes, and so was a more entertaining book than the first in the series. I was a little let down by the ending, though. It felt abrupt, and pointless - the theories advanced to explain it seemed immediately logical, so the reaction of some characters seemed overblown. And more, unforgivable. We'll wait to see what the next book does, but if the main character is desperately trying to get her husband to forgive her, my feminist outrage may outweigh the amount of frothy fun these books have been.
Let's see. The main character from the first book is now married to her Scottish werewolf paramour, and lives with him and the rest of his pack. But he takes off in the middle of the night to investigate a plague of humanity that is afflicting the supernatural elements in London. Not humans. Werewolves and vampires are reverting to their former vulnerable human selves. Ghosts have disappeared.
As the resident preternatural, Alexia is summoned to investigate what's going on. While in London, she is diverted to a hat shop, where an attractive hat designer dressed in men's clothing gives her a parasol and some innuendo. I sort of hope that's going somewhere, and not just teased. That would be kind of a rip-off.
The locus of the anti-supernatural whatever moves to Scotland, and so Alexia's husband follows. (Is it a bad sign that I can't remember any of the character names, after two books? I've had to look them up.) Alexia goes after him by airship, accompanied by the hatmaker/inventor, her best friend, and her sister. There is a fairly tiresome subplot about the two latter characters, mostly about them being silly women and cattily fighting over a man.
They emerge in Scotland only to meet what's-his-name's former pack, recently returned from the wars in India, and seemingly carrying this anti-supernatural plague with them. The pack is led by a non-werewolf, the granddaughter of Alexia's husband. (All right, let me take the time to look it up. This is getting tiresome.) Conall Maccon. Fine. The granddaughter wants Conall to change her, even though women rarely survive the process (why? This is said for both vampires and werewolves, but no real explanation why.)
We still have no real explanation of what not having a soul means. Any time, Carriger.
This is a fairly fun romp, and I enjoyed more than the first, which I thought was very slight. As a romance, it was fine. As anything more, meh.
But more than the gender politics, I hate false drama. And this just reeks of false drama.
So this is a fun adventure, spoiled by a melodramatic ending.